a song finds its way to communicate with the dormant subconscious- Johnette Napolitano's cover of The Scientist. in the private corner of your sky, the blue silences all other colours, save the white of the clouds and the rainbow in your mind. and then u come to notice the idyllic rearrangement of the clouds according to the random rhythms of the wind and the refusal of the minority streaks rebelliously dancing to their own waltz, creating their own piece of art. the sun spares its mercy of heat and yellow, without which there would be an icicle of distance and space. the burden of your lightness keeps you earthed as you yearn to make a flight of guilty freedom. the unclear manifest of emotional standing of the song then captures your conscious attention for that temporal while, sketching the already-illumined mental postcard on a larger splash of canvas and there you stand deciding if this should be a transparently happy moment or delve into the deepest reflections of melancholy. and there i stood agaped, soothed in the science of the interaction of the conscious and subconscious and the concoction of foggy reality, seamless with this acute sense of pathetic fallacy.
take a moment to feel glad to be alive.
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